Poster forMarionettes’ 1965 concert, An Evening of Song
The birth of a new Caribbean choir
In the middle of 1963, a notice appeared in the Talk of Trinidad column of the Trinidad Guardian, announcing the formation of a new choir and inviting singers to come for an audition. It was to be the first choir to be formed in a newly independent Trinidad & Tobago.
The response was tremendous. A few days later, outside a small house on Warner Street, a crowd of hopeful singers turned up to have their voices assessed. The small room with the big piano was soon crowded; latecomers stood outside on the sidewalk and, when their turn came, sang through the window.
Roots in St Joseph’s Convent (Port of Spain) and Fatima College
As the new choir’s director was the music teacher at St Joseph’s Convent (Port of Spain), Jocelyn Pierre, many of the young singers were past pupils. For male choristers, Jocelyn turned to her counterpart at Fatima College, Father Tim Corcoran, and recruited graduates from his Dominic Savio choir and to keen young voices from elsewhere.
The Marionettes compete on championship night at the T&T Music Festival, 1968
And so the Marionettes Chorale was born, led by Jocelyn and co- director, June Williams-Thorne. Jocelyn and June ran the choir together until 1968 when June left. Jocelyn departed in 1974 to go to Canada to further her education. After a brief crisis of “succession”, singing member Gretta Taylor was chosen to assume the role of conductor, with fellow member Susan Dore as her assistant, and founder member Joanne Mendes as secretary. Dore retired at the end of 2011, but continues as director of the Property Fund. Joining the executive committee in 2011–12 were Caroline Taylor as Assistant Artistic Director, Dr Roger Henry (a former singing member) as Assistant Musical Director, and Jacqueline Smith as Assistant Production Manager.
A national icon
The Marionettes at the Llangolen Eisteddfod in 1981
The Chorale embarked on several Caribbean and international tours during the 1960s and 70s, and competed intermittently in the biennial festivals between 1964 and 1980, when it retired unbeaten from local competition.
After 1980, the choir was busy gaining respect on the international scene. Competing against the big names like Germany, Hungary, Bulgaria, Czechoslovakia, England, Ireland, Wales, Poland, Romania, the Philippines, Cuba, and the United States, the Marionettes won four major prizes from the three International Choral Festivals in which they participated: in Llangollen, Wales (1981); Cork, Ireland (1984); and Middlesbrough, England (1992). In the process, such distinguished musical figures as John Rutter, Philip Ledger, Andrew Carter and Gwyn Arch were high in their praises of the Chorale’s performances.
In addition to Britain, the Chorale has toured extensively in the West Indies (Curaçao, Grenada, St. Vincent, Barbados, Jamaica), and in North America and Central America (New York, Toronto, Montreal, Miami, Philadelphia, Washington DC, and Costa Rica). It has received standing ovations from capacity audiences at such prestigious venues as St Martin-in-the-Fields in London, the Assembly Rooms in York, and the Hall of the Americas in Washington. Over the years, it has performed for internationally acclaimed personalities such as Lord Browne and Colin Powell, and has entertained international delegates from the OAS and the Commonwealth, Caricom Heads of Government, and Commonwealth magistrates.
Christmas with the Marionettes 2009 at Queen’s Hall
In Trinidad and Tobago the Marionettes present full-length annual concerts at Christmas time, which usher in the Christmas season for capacity audiences and cover a wide range of music. These are supplemented with full-length performances, guest appearances, and fund-raising performances throughout the year — including full productions of operas and musicals like Carmen and Les Misérables. They have performed all over Trinidad and Tobago, and regularly take part in charity and community performances.
In 1987, the 25th anniversary of Trinidad and Tobago’s independence, the Chorale was awarded the Humming Bird Medal (Gold) for its outstanding contribution to music. Its director, Gretta Taylor, was honoured with a similar award in 1990. The Chorale received the keys to the city of Port of Spain in 1992; the Port of Spain Corporation Achievement Award for sterling contribution to the field of music in 1999; the Trinidad & Tobago Icon (History Makers) Award for distinguished service to Trinidad & Tobago in 2002, in honour of the 40th anniversary of the nation’s independence; the Trinidad & Tobago IBC Inc (Independence Ball Committee, Miami) Award for Outstanding Contribution to the Arts and Culture of the Republic of Trinidad & Tobago (2006); and the Queens Hall Award for the performing arts (2009).
Three beloved community choirs: adult, youth, and children
In 1995, the Youth Chorale was formed, followed by the Children’s Choir in 2012, and both regularly perform with their adult counterparts. All the choir members, as well as virtually all artistic and production team members, volunteer their time — unpaid. Members come from every sector of Trinidad and Tobago society, devoting two evenings a week throughout the year to rigorous rehearsals, plus extra work as production time approaches. Membership averages 120 across the adult, Youth and Children’s Choirs, though the youth numbers alone have at times reached 100. New members are welcomed at the beginning of each session.